The collaborative duo of Anna Engelhardt and Mark Cinkevich worked together as part of the 2022 Digital Art Residency programme in collaboration with Pro Helvetia. During the residency, Anna and Mark worked on the film project Onset which was shown at the transmediale 2023 festival edition.
In Onset, Mark Cinkevich and Anna Engelhardt expose Russia’s colonial energy extraction within energy infrastructures. Taking as case studies the nuclear power plant in Astravets, Belarus, the transmission lines around the Russian military base in Khmeimim, Syria, and the energy storage of a mobile Russian military unit in Ukraine, the duo analyse Russia’s dismantlement of sovereignty on an infrastructural level, while at the same time highlighting the fragility of these electric provisions. Cinkevich and Engelhardt frame their studies through the non-scalable nature of electricity, which unlike oil and gas, cannot be scaled freely, efficiently stored or transferred over large distances, as a way to visualise the boundaries of colonial power delineated by infrastructures for the generation, transmission, and storage of electricity.
jury
Lukáš Likavčan, Svitlana Matviyenko, Tobias Brenk, and Nora O Murchú.
credits
The Digital Art Residency is a cooperation between transmediale and Pro Helvetia. transmediale has been funded as a cultural institution of excellence by the Kulturstiftung des Bundes (German Federal Cultural Foundation) since 2004. with additional funding by the Berlin Senate Department for Culture and Europe, Department Culture.



