In North Belfast the ghost of a headless horseman still haunts the streets, as the dead in the graveyard gossip and feud in the dirt. Reflecting on the legacy of colonial rule in Ireland, Jennifer Meihgan’s newest performance Creamatorium 2 explores the graveyard garden as a space of Irish refusal and resistance. Fragments of suppressed queer histories, literary references from a banned Irish novel Cré na Cille are assembled alongside sculptures of otherworldly horses, soil and non-humans. Taking place at dusk in the garden of silent green, Creamatorium 2 is performed for the first time in Berlin by Dylan Kerr, and weaves through subterranean worlds, to find allies in North Belfast equine apparitions, the soil, the dead, and the internet.