Creamatorium 2 is a collection of sculptures, images, and text that explores the grave and the cemetery as garden spaces under colonial rule in Ireland, contrasting it with English approaches to land ownership and garden design in the 17th and 18th centuries. The series merges suppressed queer Irish histories with interspecies communication, time travel, parallel universes, and dream worlds, and is accompanied by a performance and reading by Dylan Kerr, a non-binary performer from Dublin. Guided by the necropastoral and the subterranean (where death lives) “strange meetings” happen between North Belfast equine apparitions, the soil, the dead, and the internet.