Molten Media examines the temporality and materiality of technological artifacts by transforming them into inert fossilised forms of media. The rate at which technology develops sees our mobile devices and other common technological gadgets turn from value to junk in ever shorter cycles. This oscillates with the rapid spreading of disposable culture into the field of electronic consumer goods: once a new generation of technology emerges, the previous becomes obsolete nearly instantly – with tremendous impact on environmental and social conditions in a globalized world. Molten Media connects to this global problem by giving apparently obsolete technological artifacts a second-life, perhaps to be considered a state of agony, by transforming them into fossil “post-artifacts”.

This experimental, laboratory-like approach towards the technological object allows an ontological perspective that examines the material structure of the artifact and its individual lifespan. It expands upon Vilém Flusser‘s phenomenological approach towards the object to an experimentation towards the material; and at the same time enlarges his discussion of objects becoming artifacts through processes of “informing” by suggesting another – fossil – state of existence. By combining artistic research with ontological questions of the object, the project might add a practical perspective to the strongly theoretical discourses of object-oriented philosophy or more generally, speculative realism.

With regards to the inter-discursive potential of Rosemary Lee‘s project, the Vilém Flusser Residency Programme for Artistic Research encourages the development of Molten Media and through it, the artist‘s critical approach towards a complex socio-technological subject.