2019 Vilém Flusser Residency
in collaboration with the Vilém Flusser Archive at Berlin University of the Arts (UdK)

Luiza Prado de O. Martins is the artist-in-residence for the 2019 Vilém Flusser Residency for Artistic Research in cooperation with the University of the Arts Berlin (UdK). During her residency, Luiza will begin to develop her conversational project The Councils of the Pluriversal: Affective Temporalities of Reproduction and Climate Change.

Luiza Prado de O. Martins, 2019

Councils of the Pluriversal

Prado will start to convene the “Councils of the Pluriversal”—a series of meetings with activists, artists, elders, and thinkers hailing from marginalized groups in Northern nations and the Global South, to discuss the entanglements of climate change, reproduction, ancestral and future histories, land and belonging, and radical forms of care. Prado’s practice activates the often unseen counter-histories of exploitation from the Global South as well as from underrepresented communities in the Northern nations.

Prado takes a poetic-political approach, whereby excess rather than consensus becomes a site of construction for new practices of care and solidarity. Prado is strongly committed to emancipatory and empowering action, especially for indigenous women in Brazil. In the context of the reactionary political shift not only in Brazil but across Europe and around the world, particularly impacting women and minorities, the jury feels that it is of urgent importance to support such research.

Flusser’s words from 1967 are still actual:

“The north south division (whether it articulates itself as conversation or conflict) will profoundly modify the structure of technological society. It will also, no doubt, the scientific outlook on the world. Other views on the world will penetrate it. A new state of affairs will come about, in which quite a lot will be left to surprise, to act upon and quite a lot will be left to desire. How much surprised the technological world will be, how much it will be asked to act, and how much will be left to desire, that is the problem of the immediate future.”
Vilém Flusser, Existential Thought in Brazil

Luiza Prado’s project also points to a promising feminist critique of Flusser’s emancipatory dialogism, pushing the intersubjectivity he extolled to its political apotheosis.

jury

Kristoffer Gansing, Baruch Gottlieb, and Maren Hartmann

credits

The residency program is a cooperation between the Vilém Flusser Archive at Berlin University of the Arts (UdK) and transmediale, festival for art and digital culture Berlin.