Inspired by Fragments of a Hologram Rose, a 1977 science fiction short story by William Gibson, this lecture performance by Rosa Menkman explores the violent stories of standardisation embedded in 3D composite objects. As she peers into the 3D objects’ Delta Axis, Menkman tells a story about scale, perspective, and rendering. Navigating through a repository of layered information about the Holograms provenance, metadata, and other information that are normally invisible, The Shredded Hologram Rose contests the image-making processes that made it.