Democratic:Ability – Open Forms of Politics (Focus Discussion, Track 3)

Date: 
04.02.2011 15:00
Festival edition: 
2011
Format: 
Conference
Talk
Location: 
HKW
K1

This focus discussion explores the relationship between open movements, collaboration, hacking and politics. By looking at examples from hacking and open source cultures it asks to what extend such new forms of distributed collaboration and rhizomatic creativity seriously open up new political perspectives. We also ponder the relationship between hacking, open-source and the market, particularly the boundaries between art, commerce and politics.

Democratic : Ability
Focus Discussion (Track 3)
Participants: Garnet Hertz (ca), Nancy Mauro-Flude (au), Tapio Mäkelä (fi), Jürgen Neumann (de)
Moderation: Alison Powell (ca)

 

Distributed collaboration, rhizomatic creativity and emergent cultures present new modes of experience and organisation. But are they a new politics? Can they step into the breach created by the failure of individualist production and individualist democratic politics? What are the structures of these politics, and how do they present different ways of being alive – embodied – online?

This focus discussion explores the relationship between open movements, collaboration, hacking, and politics. In particular, it asks whether sharing cultures and peer production, where groups, not individuals, are the creators, transforms our current understandings of the market and of our ability to act politically. From this perspective of collective, rather than individual, embodiment and networking, we can think about opportunities (and limits) for radical political transformation. Beginning with a review of how hacker politics have been situated as critiques of democracy and capitalism, we investigate the possibilities and tensions of new modes of production and engagement. For example, models of open source production of software have absorbed hacker ontologies and applied them to the marketplace. In this context, we ask whether hardware hacking provides a new political economy of media production, or a new politics of re-use that opens up black-boxed technology products. We also ponder the relationship between hacking, open-source and the market, particularly the boundaries between art, commerce and politics. Finally, we examine the opportunities and constraints of the networks – technical, social, and political – upon which these politics and practices unfold.  

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